Digital Labor

Christiane Paul

person  

Christiane Paul is Associate Prof. at the School of Media Studies, The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art. She has written extensively on new media arts and lectured internationally on art and technology. Her recent books are Context Providers – Conditions of Meaning in Media Arts (2011; Chinese edition,2012), co-edited with Margot Lovejoy and Victoria Vesna; New Media in the White Cube and Beyond (2008); and Digital Art (Thames and Hudson 2003 / 2008 / 2015). As Adjunct Curator of New Media Arts at the Whitney Museum of American Art, she curated exhibitions including Cory Arcangel: Pro Tools (2011) and Profiling (2007), and is responsible for artport, the Whitney Museum’s website devoted to Internet art. Other recent curatorial work includes The Public Private (Kellen Gallery, The New School, 2013), Eduardo Kac: Biotopes, Lagoglyphs and Transgenic Works (Rio de Janeiro, Brazil, 2010); Biennale Quadrilaterale (Rijeka, Croatia, 2009-10); and Feedfoward - The Angel of History (co-curated with Steve Dietz; Laboral Center for Art and Industrial Creation, Gijon, Spain, Oct. 2009).